In her recent works, Erden virtually leaves her figures in the void, displaying them beyond their usual time and space. She narrows their dimensions using monochrome colors. The figures, which have been rid of their elbow room, and imprisoned in positions that living creatures are able to assume by their physical features and yet cannot be maintained, evoke in the viewers ambivalent feelings of admiration and reservation. The viewers are invited to physically experience their presence; they may become hesitant while deciding whether to come closer or get away from these figures.

Current Solo Exhibition

Calling for the Mass


Art On İstanbul

Press Release  tr | eng

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